R.S. Williams

All I want is to get the words right.

Tag: Thank You (page 2 of 11)

thankyouverrmuch…

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Wednesday Photo: 2/28/18

“Still Life at Brunch”
Raleigh, North Carolina – 21 May 2016

© R.S. Williams (all rights reserved)

 

The Daffodils That Always Mean “Home”

Living in a small town often means commuting a long distance to work somewhere else. Before I began working from home, I drove about 90 miles round-trip to my university teaching job. While the commute itself sometimes bored me, the scenery on U.S. Highway 27 between LaGrange and Carrollton never, ever did.

So it’s Spring now—the season that, in the Deep South, gives us an ice storm one day and tornadoes the next. This year has brought out the daffodils a little early. I delight in watching them pop up along U.S. 27’s shoulders.

When you see daffodils, you can safely assume that someone put them there. Unlike seed plants, daffodils and other bulbs have to be dug up and replanted. In order to get them from where they are to where they’re going to be, someone has to move them at the right time of year (late spring, after blooms and foliage have died back), transport them to a suitable location, and plant them.

Most of the daffodils we see along the roadside make their homes in someone’s yard. Sometimes they’re in neat flower beds. Sometimes, as is the case with my own yard, they’re randomly planted in a sunny patch of lawn to surprise everyone, year after year, with unexpected yellows and creams in a sea of brittle brown grass.

But what about those planted in or near a roadside ditch—without a house nearby?

Just because you don’t see a house doesn’t mean one hasn’t ever been there. Daffodils stay underground most of the year. Once they’ve finished blooming, their leaves die back and don’t reappear for another year. So old houses get demolished, their sites fading into and gradually out of memory—yet the bulbs embedded around them come back. They come back every spring thereafter, house or no house.

Plant ghosts, I call them. They don’t know the house and the people are gone. They come back because this is their home. In every sense of the word, they are rooted here.

The daffodils pictured above are very simple, single-cup daffodils, an old variety we often see around old houses. They’re about 12” tall at most, and amazingly hardy. Judging from what’s left of the house, and from the size of the flower clumps, these daffs have been here for about 50 years.

Behind the thick, overgrown privet hedge, nearly 20 feet down the bank from the southbound lanes of U.S. 27 in Carroll County, appears the faint outline of a house—or what used to be a house, anyway. Out in front: these happy yellow bells.

I wonder why the last residents left. I wonder if they left in a hurry. I wonder who decided to let a once-sturdy farmhouse simply fold itself back into the earth.

I wonder if, on leaving, they took one long, last look toward the flower bed. I wonder if they wept for the flowers waiting beneath its surface, for the daffodils that always mean “home.”

Photo: “Daff Nipped by Frost” (Carroll County, Georgia – February 2012)

NOTE: Earlier versions of this post appeared here on 2 March 2015, and at Forgotten Plants & Places on 25 February 2012.

© R.S. Williams (all rights reserved)

Friday Photo: 2/16/18

“Morning Dew, Taylor House”
Rabun County, Georgia – 27 September 2017

© R.S. Williams (all rights reserved)

 

Friday Photo: 2/9/18

“The Bench Crows Know”
Rabun County, Georgia – 26 September 2017

© R.S. Williams (all rights reserved)

 

The Little Peach Tree That Could

In the mid-1930s, my great-grandfather planted this dwarf peach tree in the side yard of his house in southwestern Heard County, Georgia. By the mid-1950s, when my mother was old enough to remember the family’s yearly trips down from Michigan, the tree bore heavy yields every summer.

Pap would slice up quart after quart of fresh peaches, from which he and Grandma Edith would make ice cream in an old crank-handle freezer. It was the finest she had ever tasted, Mom would say years later. When she first moved south in 1968, Mom lived with Pap and Grandma while she saved up for her own apartment in LaGrange. Entering its fourth decade, the little peach tree was still producing as many peaches as the three of them could eat (read: a lot).

In 1988, Mom moved back to Heard County and began fixing up the old home place. By that time, the tree was just about dead. Sap ran sticky amber-brown from the peach borer holes along its trunk. Ice storms had broken off about half its branches. The other half, fiercely proud and unwilling to admit defeat, struggled to stay even halfway upright.

The kind thing to do, Mom supposed, would be to cut it down. No sense in letting it suffer. It had served its purpose for many years. Now it was time to plant something new.

But the saw stayed in the shed.  Mom couldn’t stand to cut down the beleaguered little peach tree while it was still half-alive, or even a quarter alive. “When it’s finally dead, I’ll cut it,” she kept saying. “In the meantime, we’ll just mow around it.”

Which she did—very carefully, with a rickety push-mower and a pair of yard shears. Mom mulched it. She sprayed it for insects and fungus. She watered it during droughts, and pruned away the branches split by the weight of snow and ice. For a dying tree, this one sure was getting a lot of care.

Year after year, the little tree hung on. Every spring, the familiar pink blossoms appeared. By early summer, fuzzy green baby peaches the size of jelly beans dotted the branches. By July 4th, the baby peaches would lie rotting on the ground, felled by some fungus or insect predator. At least the fire ants and yellow jackets were eating well.

For almost 20 years, we had hoped for peaches. For almost 20 years, we had none. I began to accept that peaches, as much as I wanted them, were just not going to happen.

Fast forward to 2003: a warm spring day at the old home place. My mother and stepfather had almost finished rebuilding the long-collapsed front porch. Useless with a hammer but still wanting to be part of the action, I stood nearby.

“Uh, Mom?” I said. “It’s about your little tree.”

“I know, I know.” She mopped the sweat from her brow and grabbed another fistful of 16-penny nails. “I’m giving it one more chance. If it doesn’t make fruit this year, it’s coming down.”

So the spring turned into summer, and the blossoms turned into fuzzy green baby peaches. But this time, the baby peaches stayed on the tree. And grew. And grew. And ripened.

For the first time in nearly 40 years, we had peaches.

I felt awful for having hoped we could cut down the elderly peach tree. I had doubted it, and it had come back—perhaps to prove us wrong, but more likely because that’s just what trees do. This lonely, gnarled little tree suddenly bore two bushels of peaches just because it could.

That summer, we had the best homemade peach ice cream and the best homemade peach cobbler I have ever tasted. Since then, the tree has managed to produce at least a few desserts’ worth of fruit every season. It has survived nearly a century of drought, disease, ice storms, and straight-line winds—and, one time, a sweet, hungry, clumsy 2,800-pound Black Angus bull. This beloved little tree refuses to quit.

What will this year bring? We don’t yet know. The peach tree probably doesn’t yet know, either. No matter what happens, though, I will always be grateful to it for showing me what endurance really means.

Photo: “Green Peach, Black Cat” (Heard County, Georgia – 27 May 2014)

© R.S. Williams (all rights reserved)

 

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Friday Photo: 2/2/18

“Old Gravestone in Shades of Marble”
Heard County, Georgia – 30 June 2015

© R.S. Williams (all rights reserved)

 

New work in Eyedrum Periodically!

I’m delighted to announce that Eyedrum Periodically has published two of my photos in their latest, Issue 17: The Future.  And, holy moly, y’all: They liked one of those photos so much that they put it on the cover.  (Click the link above to see “As I Fall Where I Stand in the Street” and “Looking into a Future I Cannot Name” along with the great writing and art in Issue 17.)  Thank you again to editors Bryant O’Hara and Alice Gordon for this wonderful opportunity!

Photo: Self-Portrait by Kitchen Door (LaGrange, Georgia – 22 April 2015)
“Writing well is the best revenge” t-shirt © Eden M. Kennedy

© R.S. Williams (all rights reserved)

 

37205

Tonight, I dream of Nashville, where a low pressure system wraps the city in a thick wintry blanket. How beautiful it would be to see the oxbows of the Little Harpeth, the girders of the Shelby Street Bridge, and the ear-tufts of the Bat Building swept by wind—swaddled in snow, glazed in sleet and freezing rain.

Tonight, I long to wake to the great roaring silence of snow. Through the perforated Bakelite cube at my bedside, a half-human, half-computer voice consoles me with a NOAA lullaby. “Currently in Nashville: snow, 28 degrees. A Winter Weather Advisory is in effect. Elsewhere in Tennessee…”

Tonight, indeed, my mind is elsewhere—in Tennessee. I imagine the crisis-comfort of winter weather: the deafening hush of heavy, wet snowflakes, the flik-flik-flik of ice on plant and ground, the muffled grrrrddddtttt of tires against slush in the parking lot of a tiny apartment on White Bridge Road. Just beyond my window, the splash of cold black-white-clear lacquer soothes me to sleep, to work, to live.

Tonight, in west central Georgia, I stock up on bread, milk, and bottled water. I surrender my hopes. I play along at home.

© R.S. Williams (all rights reserved)

 

Every Place Is a Sacred Place

Oak, hickory, dogwood, mountain laurel, sassafras, tulip poplar, elm, sweet gum, locust—I wished I’d brought along my tree book. Frothy green ferns carpeted the ground, but not so thickly that I couldn’t see the dark, glossy poison ivy leaning into the trail. Leaves of three, stay away from me.

Hundreds of young saplings reach skyward for light. Sheltered by the mature trees, they will stay relatively small and grow slowly until those larger trees die and fall. As the saplings become larger trees, new saplings will sprout from the nuts, seeds, and cones nestled in the leaf litter. The new trees will mature, die, and fall back. More new saplings will take their places—and on, and on.

How long has this scene existed? It was here long before the trail; it will be here long after the trail. What did this hollow look like when the only people here were Native Americans? How about before the Native Americans? What plants were here then that aren’t here now—and vice versa?

Thousands of years before we were born, this hillside was home to plants, insects, animals, and people. Hunter and hunted lived and died close to one another. Over thousands of years, something or someone has breathed a final breath and lay down forever on every patch of ground we see here. Every spot is important, hallowed, sacred.

What if we were to bring this presence of mind, to everything we do, everything we say, everywhere we travel? How different would the world be? How different would we be?

Every place is sacred—even if we choose not to think about it.

Photo: “North Georgia Woods” (Blue Ridge, Georgia –19 May 2010)

© R.S. Williams (all rights reserved)

NOTE: This piece has been revised from its previous version, which I first posted here on  23 July 2012.

In the Turn Lane

For a week, the oily-matte black carcass lay undisturbed in the middle of the turn lane. On either side, three more lanes of car and critter hurried past the spiky scramble of feathers. Hard freeze, hard thaw, hard rain—nothing would touch it.

In rural west Georgia, where I grew up, dead animals in the road are a fact of life. With these dead animals comes nature’s clean-up crew. They make quick work of most everything: flattened and ruptured squirrels, opossums, armadillos. Dogs, cats, coyotes, cattle. Unfortunate copperheads, errant guinea hens, eerily headless eight-point bucks, and even the occasional feral hog.

Every creature eats. Every creature is eaten. In the circle of life, flesh never goes to waste.

But all that happens outside of town, in the country. Here, a hundred yards inside the city limits, was not where I expected to see broken, crumpled wings. Here, in the turn lane, was not where I expected to see frozen talons devastated against asphalt.

Like many of us, it sought the company of others, working best in groups. Like many of us, it flew into fate unaccompanied, at a time and in a place it neither expected nor desired.

Only death will eat a vulture.

© R.S. Williams (all rights reserved)

 

Hazel and the Well

One warm afternoon in the spring of 1998, walking near the old hand-dug well in her back yard, my mother heard desperate, raspy meowing. A longtime cat lover, Mom pried away the well cover and pointed a flashlight 40 feet down. There, between the red clay wall and the well cistern, glowed two tiny green eyes. At the end of what must’ve been a terrifying fall, the kitten had somehow managed not to land in the murky, stagnant water. (A nearby mouse had not been so lucky.)

Mom, Steve, Val, and I were all too large to fit into the well. We also didn’t have the equipment to get us into and out of there safely, with kitten in hand. But none of us could bear to leave the poor little thing where it was.

So Mom came up with a solution. She opened a can of tuna, dumped it into a two-gallon bucket, and tied a long rope to the handle. Then, with Steve holding the flashlight, she carefully lowered the bucket into the well, as close to the kitten as she could. She tied her end of the rope to an old concrete block.

“I’ll check in the morning,” Mom said. “Maybe the kitty’ll figure it out.”

Morning came, and Mom hauled up the bucket. In it was the bony brown-tabby-and-white kitten—barely eight weeks old, and, of course, covered in tuna juice. And NOISY.

“Eeeeert. Eeeeeert. EEEEEEEERRRRT!”

The kitty had been crying for help so loudly, and for so long, that her meow was broken. Worse, blow flies had found her in the days before we did. A live “wolf” larva writhed and turned in the pencil-sized hole in her neck.

We took her to the vet, where she stayed for several days after surgery. When the little cat was feeling better, Mom took her home for foster care and general spoiling. A few months later, when Val departed for graduate school in Florida, she brought the kitten with her. Val named her Hazel, after a favorite character in the novel Watership Down. When Val moved to Colorado after graduation, Hazel and sister Madeleine (RIP) went along, too.

For most of her life, Hazel was semi-feral. She hid from almost all people, especially visitors. Only in her old age did she finally mellow and “learn how to cat.” She needed IV medication nearly every day, and toward the end of her life, she had mostly reconciled herself to accepting help from people. (There was still plenty of cranky, irritated meowing, the Cat equivalent of “Get off my lawn, you damn noisy kids.”)

After a short bout with liver cancer, Hazel died on 15 September 2017, at age 19½. We miss her so much. But we’re also grateful to have had her in our lives for so long, and that she chose Val as her forever person.

Hazel remains one of our all-time favorite cats—the best Caturday, and everyday, companion ever.

© R.S. Williams (all rights reserved)

NOTE: I published this piece in February 2017. It appears here today in edited form.

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Photo: “Self-Portrait in Chocolate and Red” (Nashville, Tennessee – 19 September 2015)

© R.S. Williams (all rights reserved)

Wishing You a Happy 2018

“Turquoise Leap”
Denver, Colorado – 10 August 2014

© R.S. Williams (all rights reserved)

New Year, Same Me

So the end of the year is almost upon us. Everyone’s out having fun tonight, spending time with friends and family. They’re most likely not sitting around reading stuff on the internet. But I’m a writer, and hahahahahahahaaaaaaaaa!!! Tonight finds me sitting in front of a screen because 1) it’s what I do, 2) I enjoy what I do, and 3) something’s been bothering me and it needs putting into words on a page.

Everywhere I go this time of year, I hear the same old saying: “New Year, new me!” It’s a popular sentiment. For the most part, people who say it really do mean it. I can’t blame them, either. The beginning of a new calendar year feels fresh, full of possibilities. It’s a good time to try something new.

But here I am—that one weirdo at the party, the one who’s not buying into all this merriment and isn’t even pretending she’s having “fun.” Yep, that’s me, sitting over here by myself in the corner, not even drunk because up yours, acid reflux, the one muttering under my breath juuuust loud enough for the host’s pets to hear:

“’New year, new me?’ Bullshit. Everybody knows that on January 1, I’m gonna be the same asshole I was on December 31. And everybody knows the only thing that will help 2018 is my trying NOT to be as much of an asshole as I was in 2017.”

Really, y’all: The best thing I can do for 2018 is not to be as much of an asshole as I was in 2017.

Part of me knows all I can do is keep making good work. Well, okay—so that “part of me” is more like 95%. The other 5% sidles up all innocent-looking and asks, “But can’t you do something different?  Maybe push yourself harder? Be more business-like? Be more professional? Be more goals-hardcore-grind-objective-brand-network-leverage-bullshit?” (This is when the weird-but-also-kinda-wise 95% of me gives the sad, secretly-self-hating 5% a cautious side-eye and a pat on the head.)

Some readers may be thinking that by all this, I mean to be some kind of doormat, to let others run right over me however they please. Nope, not at all. Being less assholish means that while I’m actively working to be more kind, I’ve also still got to stand up for others, and for myself. In 2017, I drew some boundaries that some people did not like at all. Protecting myself in this way made these people think I was being mean to them. Too bad, so sad. Predators are not welcome here, no matter what form they take.

What’s more: I know I’m not powerful enough to change everything. I cannot know what’s in store for me next year. All I can really do is good work on my end: my own creative work, and my work for justice and transformation in my community. And then hope for the best from that work. That’s all I can control.

However, one thing I do know is that none of my accomplishments in 2017 happened just because of me. Sure, I was the one who wrote the article or made the photo that got published—but the reason I created these things in the first place? Other people.

People who asked what I was working on. People who read my words, gazed at my pictures, asked to see more. People who urged me to keep going, even when I wanted to give up. People who asked for my help with their own projects. People who reassured me that what I’m doing is worthwhile. People who hugged me. People who prayed for me. People who cared.

Whether it was financial help, encouragement, care packages, letters/emails/texts short and long, spreading the word about my work, or [fill in the blank], whatever I accomplished this year is because other people cared. Because you cared. Yes, YOU.

I’m old enough to know that New Year’s resolutions tend not to last very long. Most often, I do better when I’ve had enough of my own bullshit and decide to do something different. So 2018 will find me the same person, in a lot of ways. But I care enough about you to spend the coming year doing two things: making the best work I can, and being less of an asshole than I was last year.

Thank you, as always, for reading. I love you all.

RSW

Photo: “Self-Portrait with Western Shirt and Dark Roots” (LaGrange, Georgia – 10 August 2015)

© R.S. Williams (all rights reserved)

New poem up at Anti-Heroin Chic

Here’s some good news to close out 2017! The online journal Anti-Heroin Chic has published my poem For Brian, Somewhere in Upstate South Carolina.

If you’re new to AHC, I think you’ll like what you find there. I sure do. From their “About” page:

Anti-Heroin Chic is a collective journal of poetry, photography, art work, stories, essays, interviews and more. We currently publish on a somewhat rolling basis, featuring anywhere between a dozen to twenty new writers, photographers & artists every month, whose work can be found on our contributor blog page.

‘Anti-Heroin Chic’ meaning that what is beautiful is what is broken, that our imperfections, our exiles, our exclusions, are what define our humanity most, not the polished surface or the Instagram culture which encourages us to dissociate from who and how we truly are. There is a seat for everyone here at this table. The idea of the commune very much animates this project. This journal strives for inclusion and a diversity of voices, not to disparage others but to lift them up.

Many thanks to AHC editor-in-chief James Diaz for publishing my poem. Thanks also to fellow writers Ryan Quinn Flanagan, Jon Bennett, and Kim Bailey Spradlin, whose wonderful work I’ve gotten to know via Anti-Heroin Chic.

Photo: “Self-Portrait in Black and Blue” (LaGrange, Georgia – 4 August 2015)

© R.S. Williams (all rights reserved)

 

From the Back Corner Booth

“You gotta watch Wanda: she’ll slip onions in there when you ain’t looking.”
“Rats gotta have cheese. He’s a cheese rat. Bet he could tear up a bag of peanuts.”
“Drop two bacon and a hashbrown, scattered!”

An immaculate red-and-white ’69 Camaro rumbles into the parking lot. Johnny Cash walks the line from the jukebox speakers to my ears as the cooks sing along. I sip my coffee and watch the broken, beautiful world pass by.

© R.S. Williams (all rights reserved)

One Small Voice Against the Storm

The other night, I dreamed I was at a friend’s house during a terrible thunderstorm, the kind of storm that makes people think Armageddon really has arrived. The winds shook the spring-green, baby-leafed trees like eighty-foot-tall pompoms. Parts of people’s houses flew by: downspouts, shingles, screen doors. I could see even darker, nearly-black clouds rolling in from the west.

The green of the trees lit up neon-like against the angry dark gray clouds. Those clouds billowed slow and steady across the fields opposite my friend’s house—embryonic tornadoes, rolling close to the ground. They moved so slowly that at first I thought I could outrun them on foot. But they moved in such a stop-motion, unpredictable way that I knew I’d better not even try. In the vacant lot across the road, half a dozen newborn funnel clouds stood up and lumbered toward us.

The sensible thing to do would have been to run back indoors and hide in the bathtub, or in the crawl space. But for whatever reason, we decided to drive my car into town and take shelter on the university campus. In the basement of one of the huge concrete classroom buildings, we figured, we’d be safe.

As we drove down the narrow country road, the storm grew even stronger. Entire roofs and porches now flew over the car, like dollhouse parts at the mercy of a giant commercial vacuum. We saw people cling to telephone poles and mailbox posts, then lose their grip and disappear into the dark, hungry tornado mouth. The trees whipped in every direction. In the all-powerful wind and rain, proud hickories and towering oaks became as pliable as flimsy ornamental grasses.

When an ancient tulip poplar crashed across both lanes of the road, I stopped the car. We were about to get out and head for the ditch—another last-resort place to hide from a tornado—when we felt the car’s rear end lift, fall, and lift again.

Then the tornado was upon us.

It yawned wide, and again picked up the car by the rear axle. We were now suspended in the air, far above the ground. For a moment, I thought my hands had grown into the steering wheel. I couldn’t even scream. But then the car began to shudder. Through my terror, my words returned.

“This is it?” I shouted. “This is how it’s supposed to end?” I grabbed my friend and held her against me, shielding her face from the chaos swirling just beyond the windshield.

The tornado shrieked louder, and bobbled the car a little. It was trying to scare me, trying to shut me up. I held my friend even tighter, and kept shouting.

“I can’t believe this—after everything she’s been through.” The winds rocked the car again, dipping the front end and then the back. “Her grandmother, two uncles, an aunt, and her husband have all died over the last year.” Tears rolled down my cheeks. “And now you bring her this?”

The car began spinning counter-clockwise, with an occasional, ungainly dip back toward the earth. Now the tornado was just toying with us—just a bully, picking on two much smaller kids in the far corner of the playground.

My anger rose. One way or another, life or death, that storm would know forever that I had its stupid little game all figured out.

“So this is the best you could do, huh? A tornado?” The car’s rear end dipped again. This time, the roller-coaster feeling in my solar plexus did not unnerve me. “Talk about corny! You’ll have to come up with something better.”

The tornado’s mouth opened wide. It meant to swallow us whole. Soon, we would be scattered all over the west Georgia countryside. Images came to me of search parties finding our various unidentifiable body parts flung hither and yon, mixed with bits of vegetation and scraps of Honda.

Nope. This would not do.

I poured out my rage at the gigantic gray funnel. “No! NO! You cannot have her! NO!”

The towering column lurched away from us. Its monstrous roar turned to a sputter, and then a frightened half-cough. The car leaned suddenly to one side, and then gently floated back to the ground. I peered up into the swirling vortex, only to watch it turn a lighter gray, then white, and then disappear. I turned to my friend. “Are you okay?” She nodded yes.

I awoke in awe at the power of one small voice against the storm.

Photo: “Metal Roof and Storm” (LaGrange, Georgia – 23 November 2014)

© R.S. Williams (all rights reserved)

 

Cedars at Christmas

As I drive around the countryside in late December, I look along the winter-brown roadside for the familiar fuzzy evergreen clouds. They’re far easier to spot this time of year.

They float along old fence lines, these tubby juniper ghosts, at the very edge of the right-of-way. They bide their time where state DOT and Army Corps of Engineers property ends, where the natural world waits to wreck the built and overrun the mechanized. Often, their shredded gray trunks smirk and pucker around twisted steel—We can’t grow here, huh? HA! Stupid barbed wire. That’ll teach you. 

When I was a child in rural east Alabama and west Georgia, these dark green blobs of badass were our Christmas trees.

Eastern red cedar, or Juniperus virginiana, grows all the way from southeastern Canada down to the Gulf of Mexico. A pioneer invader, it prefers pitiful, ragged-out, freshly-cleared land. However, unlike other potentially invasive species, it can live for centuries if left alone. My grandfather’s farm included several cedars with trunks nearly three feet thick. For the most part, though, the ones I notice are between four and seven feet tall, just the right size for the average living room.

I remember only one tree-cutting walk, far behind our house outside Rock Mills, Alabama. We were likely on someone else’s land. My father had to have known this. But, seeing how eastern red cedars alkalize pasture soil and steal nitrogen from forage crops, maybe the landowners would not have cared. Daddy cut it down with a hatchet and a hacksaw, then dragged the tree behind him for the half-hour walk back to the house, my sister and me following as quickly as our little legs could manage.

In this old photo, the short, squat little cedar looks as lush now as it did then to my three-year-old eyes. It sits atop the blanket chest—also red cedar—that my great-grandfather made around the end of the First World War. That same blanket chest now guards my guest room.

Christmas tree farms make me uneasy. Their offerings, while pretty, are not of this land. Their trees’ native soils lie hundreds of miles north and west of here. While I am glad they bring joy while exchanging carbon dioxide for oxygen, they are just not for me.

Those plush needles stay too neatly combed. Too-tidy firs and spruces demand unreasonable cheerfulness and forced smiles. They heap manufactured happiness on top of organic, deeply rooted sorrow. And they act surprised when the needle-fine roots of that sorrow break back up through the soil.

Thanks, but I’ll skip the farmed Dick and Jane Reader perfection. I like a little asymmetry, a little imperfection, with my major holidays. Instead, give me an eastern red cedar, thriving at pasture’s edge. Give me slowly shredding grayish-tan bark. Give me perfumed red heartwood that swallows barbed wire and NO HUNTING signs along Georgia Highway 219. Give me needles growing in all directions like an overcaffeinated moth-repellent pompom. Wherever I go, for the rest of my days, the trees I have known and loved stay with me.

Photo: “Detail, Red Cedar Christmas: Rock Mills, Alabama, 1976”

© R. S. Williams (all rights reserved)

 

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